Creator Area
Sign in Creator Area

Iron Maiden - The Thin Line Between Love And Hate - Guitar Cover

Practice Studio

Iron Maiden - The Thin Line Between Love And Hate - Guitar Cover

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Iron Maiden - The Thin Line Between Love And Hate guitar cover video
Licks Of The Beast
Licks Of The Beast Top Contributor
YouTube: 80Ksubs 17Kviews
Creator Page →
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Brave New World (2015 Remaster) album cover
Brave New World (2015 Remaster)
2000 8:27
Listen on Spotify
Iron Maiden Heavy Metal 2000

The Thin Line Between Love And Hate

"The Thin Line Between Love And Hate" is a track by English heavy metal band Iron Maiden, featured on their twelfth studio album Brave New World, released on 29 May 2000. The album marked the return of lead singer Bruce Dickinson and guitarist Adrian Smith, while Janick Gers remained, making Iron Maiden a six-piece for the first time. That three-guitar lineup gives the song particular interest for electric guitar players, offering layered rhythm and lead parts spread across multiple guitarists.

  • Brave New World was Iron Maiden's first studio album as a six-piece, featuring three guitarists: Dave Murray, Adrian Smith, and Janick Gers.
  • Adrian Smith rejoined Iron Maiden in 1999 after nearly a decade away, making Brave New World a reunion record for the classic lineup.
  • The three-guitar arrangement on this album creates opportunities to study how Maiden distributes rhythm, harmony, and lead roles between players.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Recommended for You