Practice Studio

Queen - We Are the Champions - Guitar Cover

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BPM
Key B♭ major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Pra comemorar os esportes album cover
Pra comemorar os esportes
2024 3:01
Queen Rock 2024 B♭ major
Capo Advisor 0 B♭ major · Original key

About We Are the Champions


At 55 BPM in B♭ major, "We Are the Champions" moves at a slow, deliberate pace that rewards clean chord work over flashy technique. The guitar part, played in E Standard tuning, centers on full, ringing chords that need to lock tightly with the piano and rhythm section. Getting those chord changes to feel smooth and unhurried at this tempo is harder than it sounds, because any sloppiness is immediately exposed. The voicings in B♭ major push you into barre chord territory, so building stamina and clean fretting pressure is a real focus here. Queen built the arrangement around a grand, anthemic feel, which means tone and sustain matter as much as accuracy. Use the Practice Toolbar to loop the chord progression slowed down until your transitions are automatic. Fans of Hard Rock will find this a useful study in rhythmic restraint and confident, full-bodied chord playing.

  • The song sits in B♭ major, which puts several key chords in barre position and gives your fretting hand a solid workout.
  • E Standard tuning is used, so no retuning is needed, but clean barre chord execution is essential for the anthem-like feel.
  • At 55 BPM the slow tempo leaves every chord change exposed, making smooth, noiseless transitions the main technical challenge to practise.

How to Play We Are the Champions

Tuning: E Standard · Key: B♭ major · Tempo: 64 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 64 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)