Practice Studio

Queen - Crazy Little Thing Called Love - Guitar Cover

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Key D major
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Game (Deluxe Remastered Version) album cover
The Game (Deluxe Remastered Version)
1980 2:43
Queen Rock 1980 D major
Capo Advisor 0 D major · Original key

About Crazy Little Thing Called Love


Written as a deliberate nod to rockabilly and early Elvis, this track gives guitarists a genuine taste of that stripped-back, rhythm-first style that Queen rarely revisited. The foundation is a chugging open-position D chord that drives almost the entire song, so locking in that tight, percussive strum at 139 BPM is the real work here. Brian May played the main rhythm part on a standard electric, and the whole thing sits in Eb Standard tuning, meaning you drop every string down a half step before you start. The key of D major then lands your open-position shapes right in the pocket, which is beginner-friendly in principle but demands real right-hand control to keep the groove punchy rather than sloppy. The lead guitar break is a short rockabilly-style solo built on bends and call-and-response phrasing. Use the Practice Toolbar to loop that section slowed down until the bends land cleanly in pitch. Queen kept the arrangement lean, which means every flubbed note is audible, so patience with the rhythm part pays off. Fans of Funk Rock will recognise the tight, clipped attack that gives this kind of groove its bite.

  • The entire song is built around a percussive, open-position D chord strum, making right-hand rhythm control the primary technical challenge.
  • The track is played in Eb Standard tuning, so tune every string down a half step before attempting any of the chord shapes.
  • The lead break uses short rockabilly-style bends and phrasing, a useful exercise in controlled single-note expression at a brisk 139 BPM.

How to Play Crazy Little Thing Called Love

Tuning: Eb Standard · Key: D major · Tempo: 154 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. At 154 bpm it moves fast, so the real test is building picking stamina and keeping every note clean at speed.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 154 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)