Practice Studio

Muse - Hysteria - Guitar Cover

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Key A minor
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Absolution album cover
Absolution
2003 3:47
Capo Advisor 0 A minor · Original key

About Hysteria


The first thing to know about "Hysteria" is that the song is driven by its bass, not its guitar. That said, the guitar part still demands your full attention: playing in Drop D at 202 BPM in A minor, the riff locks in tightly with a relentless, motorik pulse that leaves no room for sloppy fretting. Drop D gives the low string a heavier, slacker tension, so you can lean into power chords on that string with a single-finger barre, but keeping them clean and consistent at this tempo is the real challenge. The rhythmic precision required across the whole track is what separates a rough run-through from a convincing performance. Use the Practice Toolbar to loop the main riff slowed down until your picking hand can maintain the groove without rushing. Muse sit firmly in the Alternative Rock world, but "Hysteria" pushes toward a harder, almost metal tightness that will sharpen your right-hand discipline considerably.

  • Played in Drop D tuning, the low string lets you cover power chords with one finger, but the 202 BPM tempo makes clean execution genuinely demanding.
  • The guitar riff mirrors the famous distorted bass figure, so learning it gives you strong insight into how the rhythm section of this track is constructed.
  • Locking the guitar part to a metronome or using the Practice Toolbar slowed down is the most effective way to build the picking stamina this tempo requires.

How to Play Hysteria

Tuning: Drop D · Key: A minor · Tempo: 202 BPM

In Drop D tuning at 94 bpm, the main challenge is the relentless, fast-moving single-note riff that runs through most of the song; on guitar it sits in a low register and demands consistent alternate picking and clean fretting to avoid muddiness at full tempo. Begin by learning the riff at reduced speed, focusing on pick attack precision, before adding the heavier gain that masks sloppy timing in a live context. The most common pitfall is rushing the riff's sixteenth-note passages, so use the metronome to lock in the groove before looping the verse section up to 94 bpm. The chorus opens into broader, more straightforward power-chord territory in A minor, which gives your fretting hand a brief recovery before the riff returns.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 202 BPM.

Vox AC30
Amp

Vox AC30

Bellamy uses the Vox AC30 for clean, chimey passages that contrast with his high-gain rig, providing warm tube breakup and natural chime on atmospheric sections. Its low-wattage headroom lets him achieve responsive, dynamic tones without sacrificing clarity.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby wah is essential to Bellamy's lead vocabulary, particularly on "Knights of Cydonia," where it sweeps across his sustained, pitch-shifted tones. The pedal's responsive sweep complements his aggressive playing style and synth-like effects chain.

Electro-Harmonix Big Muff Pi
Pedal

Electro-Harmonix Big Muff Pi

Bellamy pairs the Big Muff's smooth, sustaining fuzz with his bridge humbucker for soaring lead tones that retain clarity even under extreme gain. Its warm compression makes it ideal for long, singing sustain passages layered with the Fernandes Sustainer system.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy is Bellamy's signature effect, enabling octave-shifted harmonies, pitch-shifted leads, and dramatic dive bombs used across nearly every Muse album. It transforms his sustained notes into orchestral layers that define Muse's progressive rock signature sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)