Practice Studio

Fleetwood Mac - The Chain - Guitar Cover

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Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Rumours (Super Deluxe) album cover
Rumours (Super Deluxe)
1977 4:30
Capo Advisor 0 E minor · Original key

About The Chain


Few moments in Classic Rock guitar are as immediately recognisable as the driving bass-and-guitar unison riff that closes "The Chain." Fleetwood Mac built the track in E minor at a steady 80 BPM, which sounds relaxed until you realise how much tension the parts have to carry. The verse rhythm guitar sits back and breathes, asking for a light, restrained picking hand, while the chorus swells demand a firmer attack without losing control of the dynamics. That famous outro riff is the real test: the repeated sixteenth-note pattern needs clean alternate picking and a locked-in sense of pulse, because any rushing sounds sloppy immediately. Use the Practice Toolbar to loop the outro section slowed down before bringing it up to tempo. Standard E tuning keeps everything accessible, but getting the tone to sit correctly, not too bright, not muddy, is worth spending time on before you try chaining all the sections together.

  • The outro riff relies on tight alternate picking with a consistent, driving sixteenth-note rhythm that can expose any right-hand timing inconsistencies.
  • Playing in E minor at 80 BPM, the track demands dynamic control: soft and restrained in the verses, then firm and forward in the outro.
  • Standard E tuning is used throughout, so no retuning is needed, but dialling in a warm, slightly overdriven tone helps the riff speak correctly.

How to Play The Chain

Tuning: E Standard · Key: E minor · Tempo: 80 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 80 BPM.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Peter Green's 1959 Les Paul Standard with its reversed PAF neck pickup created the iconic out-of-phase tone that defines Fleetwood Mac's early blues sound, heard on haunting tracks like 'Albatross.' This unique pickup configuration became one of rock's most legendary tonal accidents, directly shaping the band's mystical, creamy sustain.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Lindsey Buckingham used the Gibson Les Paul Custom alongside his Rick Turner for thicker, more aggressive rhythm parts and overdriven tones on Fleetwood Mac's 1977 masterpiece. The Les Paul's body warmth complemented his fingerstyle technique while providing the weight needed for songs like 'Go Your Own Way.'

Fender Twin Reverb
Amp

Fender Twin Reverb

Lindsey Buckingham's pair of Fender Twin Reverbs provided the clean headroom and articulation essential for his fingerstyle playing, where every right-hand nuance cuts through clearly. The Twin Reverb's natural breakup and reverb gave Fleetwood Mac's intricate guitar arrangements their signature clarity and spaciousness.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)