Guitar Songs, Tabs & Lessons

R.E.M.

5 guitar songs · Tabs, Lessons & Tone Guide Alternative Rock

Choose a R.E.M. Song to Play

Band Overview

History and Guitar Legacy

R.E.M. formed in Athens, Georgia in 1980 and became one of the most influential Alternative Rock bands of the '80s and '90s. Guitarist Peter Buck built the band's sonic identity around jangly, ringing open-string voicings and arpeggiated chords. His distinctive approach to rhythm guitar blurred the line between lead and accompaniment, proving that tone, texture, and restraint can be more powerful than technical shredding.

Playing Style and Techniques

Peter Buck's style draws from folk-rock, punk, and post-punk influences like The Byrds, Television, and Wire. His signature technique centers on arpeggiated open chords played on Rickenbacker guitars, creating the unmistakable chiming sound that defined alternative music. Buck favors clean to slightly overdriven tones with minimal distortion, relying instead on dynamics, picking precision, and creative voicings like sus2, sus4, and add9 chords to fill sonic space.

Why Guitarists Study R E M

R.E.M. is essential learning for understanding how to make simple chord shapes and arpeggios sound compelling. The band demonstrates mastery of open-string harmonic richness and demonstrates how restraint and musicality trump flashy techniques. For guitarists seeking to develop clean technique, tone awareness, and musical sensitivity, R.E.M.'s catalog provides a masterclass in what matters most: intentional playing over unnecessary complexity.

Difficulty and Learning Path

R.E.M. songs sit in a sweet spot for intermediate guitarists, using standard tuning and familiar open chord shapes with sophisticated details. Beginner-friendly tracks like 'Everybody Hurts' teach slow arpeggio work, while 'Drive' and 'Man On The Moon' build dynamics and creative voicing skills. Overall difficulty ranges from beginner to intermediate, making R.E.M. ideal for developing musicality and an ear for tone over flash.

What Makes R.E.M. Essential for Guitar Players

  • Peter Buck's arpeggiated chord style is built on open-string voicings and fingerpicking hybrid techniques. Learning his approach will dramatically improve your ability to make basic chord shapes sound rich and layered, focus on letting notes ring into each other rather than strumming everything at once.
  • Buck frequently uses suspended and added-tone chords (sus2, sus4, add9) instead of plain major or minor shapes. This is a huge takeaway for any guitarist: swapping a basic G major for a Gsus2 or Cadd9 instantly adds that signature R.E.M. shimmer to your playing.
  • The clean, jangly tone is achieved through a combination of bright-sounding guitars (Rickenbacker 360), light-to-medium gauge strings, and a pick attack that emphasizes the treble strings. Practice controlling your pick dynamics, Buck's tone comes as much from his right hand as from his gear.
  • In songs like 'Drive,' Buck uses a darker, more restrained picking approach with minor-key arpeggios, showing how dynamics and note choice can create tension and atmosphere. It's a great study in how to play less but say more.
  • R.E.M. songs are excellent for developing your sense of song structure and arrangement. Buck rarely plays the same part in a verse and chorus, he shifts voicings, changes picking patterns, and adds or removes strings to serve the song. Learning this approach will make you a far better rhythm guitarist.

Did You Know?

Peter Buck famously bought his first guitar, a Sears Silvertone, for $5 at a flea market. He was largely self-taught, which partly explains his unconventional approach to chord voicings and picking patterns that don't follow textbook rules.

Buck's iconic Rickenbacker 360 jangle tone on early R.E.M. records was so influential that it essentially defined the sound of American college rock and inspired countless bands from The Smiths to Radiohead to pick up Rickenbackers.

On 'Everybody Hurts,' the arpeggiated D and G chord pattern was deliberately written to be simple enough for beginners. The band wanted the song to be emotionally accessible, and they succeeded, it remains one of the most popular first songs for new guitarists to learn.

Buck rarely uses a pick in a traditional way, he often holds it loosely or switches to fingerpicking mid-song. On 'Man On The Moon,' the strumming has a loose, almost folk-like quality that comes from this relaxed grip technique.

During the recording of 'Automatic for the People,' Peter Buck experimented extensively with acoustic guitars, mandolins, and bouzoukis, layering multiple stringed instruments to create the album's lush textures. The guitar parts you hear aren't always standard six-string.

R.E.M. recorded many of their guitar parts with minimal overdubs, what you hear is often a single guitar track with vocals and bass. This forced Buck to develop voicings that filled the frequency spectrum without needing layered parts, a skill every working guitarist should study.

'Shiny Happy People' features one of Buck's most straightforward pop-rock guitar parts, a bright, upstroke-heavy rhythm pattern. It's a perfect example of how a simple, well-executed strumming pattern with the right tone can carry an entire hit single.

Essential Albums for Guitarists

Automatic for the People album cover
Automatic for the People 1992

This album contains 'Everybody Hurts,' 'Drive,' and 'Man On The Moon', three essential tracks for learning arpeggiated clean guitar, dynamic control, and open-string voicings. The guitar parts are beautifully arranged and teach you how restraint and melody can be more impactful than complexity. A must-study for any guitarist working on fingerpicking and clean tone.

Out of Time album cover
Out of Time 1991

Featuring 'Shiny Happy People' and 'The One I Love' (from live rotation during this era), this album showcases Buck's pop-oriented jangle guitar at its catchiest. The strumming patterns are accessible for beginners, but the chord voicings and arrangements teach intermediate players how to craft parts that serve a song perfectly. Great for working on upstroke rhythms and major-key open chord work.

Murmur album cover
Murmur 1983

R.E.M.'s debut is where the jangle revolution began. Peter Buck's Rickenbacker arpeggios on tracks like 'Radio Free Europe' and 'Talk About the Passion' are foundational listening for anyone who wants to understand alternative rock guitar. The picking patterns are more intricate than they first appear and will sharpen your right-hand accuracy and timing.

Document album cover
Document 1987

This is R.E.M. at their most rocking. Songs like 'It's the End of the World as We Know It' and 'The One I Love' feature more aggressive strumming, palm-muting, and overdriven tones than their earlier work. It's the ideal album for guitarists who want to learn Buck's crunchier side while still studying his trademark open-chord voicings.

Tone & Gear

Guitar

Rickenbacker 360, Peter Buck's most iconic guitar, used extensively from the early '80s through the '90s. The semi-hollow body and bright, chimey pickups define the classic R.E.M. jangle sound. He also frequently used a Gibson SG, a Fender Telecaster, and various acoustic guitars (notably a Gibson J-45) on albums like 'Automatic for the People.' On stage, he'd often switch between the Rickenbacker for clean jangle parts and the SG or Telecaster for grittier tones.

Amp

Vox AC30, Buck's primary amp for that bright, chimey clean tone with natural compression when pushed. The AC30's Top Boost channel provides the sparkle and harmonic richness that pairs perfectly with his Rickenbacker. He also used Fender Twin Reverbs for pristine cleans and occasional Marshall combos when he needed more midrange grit. Settings typically favor treble and mid presence with the amp kept relatively clean, relying on picking dynamics for breakup.

Pickups

The Rickenbacker 360's stock 'toaster top' single-coil pickups are central to Buck's tone, they have a bright, glassy output with pronounced high-mids that create that signature jangle. Output is relatively low (around 6-7k), which keeps the tone dynamic and responsive to picking nuance. When using humbuckers (Gibson SG), Buck tends to favor the neck pickup rolled back slightly on the tone knob to keep things from getting too dark or compressed.

Effects & Chain

Peter Buck keeps his pedalboard minimal. His core tone is guitar-straight-into-amp with little processing. Key effects include a Boss TR-2 tremolo (used subtly on several tracks), light chorus for added shimmer, and occasional compression to even out arpeggiated parts. He's also used a Line 6 DL4 for delay textures in later years. Distortion is rarely from pedals, when he wants grit, he pushes the amp harder or uses a mild overdrive. The philosophy is simple: tone comes from the guitar, the amp, and the hands.

Recommended Gear

Fender Telecaster
Guitar

Fender Telecaster

Peter Buck uses the Telecaster for grittier, more articulate tones on R.E.M. tracks, trading the Rickenbacker's chime for a sharper midrange attack. Its bright single-coils cut through the mix with definition when he needs more presence than jangle.

Fender Twin Reverb
Amp

Fender Twin Reverb

Buck deploys the Twin Reverb for pristine, spacious cleans that complement his arpeggiated parts with natural reverb bloom. The amp's headroom lets him maintain clarity even when stacking multiple layers of jangly guitars without breakup.

Vox AC30
Amp

Vox AC30

The AC30 is Peter Buck's primary amp, delivering the signature chimey sparkle and harmonic richness that defines R.E.M.'s jangle sound. Its natural compression and Top Boost channel paired with his Rickenbacker 360 creates the band's iconic clean, shimmering tone.

How to Practice R.E.M. on GuitarZone

Every R.E.M. song page on GuitarZone includes a built-in Practice Toolbar. No app to download, no account needed. Open any song, then use the toolbar to slow the video to 0.5× speed, set an A/B loop around the exact riff you're working on, and jump between song sections instantly.

The toolbar appears automatically on every guitar tab, lesson, and cover page. Pick a song below, hit play, and start practicing at your own pace.